Creator of dozens of televisión hits like Chiquititas, Floricienta, Verano del 98 and Rebelde Way, her name is widely known not just in Argentina but also in countries like Israel, Russia or Japan where her productions were a huge success.
Besides her Producer side, in most of her audiovisual creations she was responsible of composing the songs and soundtracks working alongside different musicians. Several of the albums with her songs received awards in Latin America and Argentina, like Latin Grammy and the Gardel Awards.
She also created songs for famous performers of the region like Sergio Denis, Sandra Mihanovic and Xuxa.
Plim Plim is the charming character and protagonist of the animated series that bears his name, as well as the YouTube channel. He is a magical clown who, with joy and enthusiasm, guides a group of children through their daily adventures in kindergarten. To teach them human values and positive habits, he takes them through magical parks where they find solutions to their conflicts,” says his creator, Guillermo Pino.
Plim Plim has over 2.3 million monthly listeners on Spotify and more than 27.6 million monthly streams across all platforms. The original songs and melodies sung by Plim Plim and his friends are available on the following platforms: Spotify, Apple Music, Amazon Music, Deezer, Tidal, TikTok, and YouTube Music.
At 40 years old, Ulises Bueno has recorded more than twenty-one albums — a fact that comes as no surprise when considering the popularity he has achieved, becoming one of the most prominent figures in Argentine music. This, of course, runs in the family: Ulises is the brother of the late singer Rodrigo Bueno, a key figure in the explosion of cuarteto music in the province of Buenos Aires.
Ulises has earned his place as one of the leading exponents of cuarteto, receiving multiple nominations for the Gardel Awards and performing at major events such as the Cosquín and Villa María festivals.
Lucas Palazzo has been standing out for some time now, despite his young age, with a body of work that shines for its versatility and power. Lucas’s sound evokes renowned artists like Alter Bridge and Joe Satriani. This guitarist and composer has a highly dynamic approach to his craft, resulting in a prolific output — the more than forty songs he recorded over a two-year span are proof of that.
In 2024, Lucas began performing live at several key venues on the Buenos Aires circuit, receiving outstanding reviews from major media outlets and legendary musicians such as Alberto Zamarbide, regarded as one of the founders of heavy metal in Argentina.
Sergio Sosa is one of the most prominent names in Córdoba’s folklore and cuarteto scenes. As if that weren’t enough, Sosa is also a highly acclaimed songwriter and composer, having written songs for stars such as Carlos “La Mona” Jiménez, Ulises Bueno, and La Barra.
Sosa is a remarkably versatile artist whose tremendous charisma shines through in every performance across Argentina.
Talking about Pachecos means mentioning one of the most iconic bands in contemporary Argentine folklore. With a unique blend of romantic tones and pop influences, this group from the province of Córdoba captivates audiences with classics like “Amor Ausente” and “Festivalera.”
Pachecos regularly performs at the most important festivals across Argentina, including the prestigious Cosquín Festival at the famed Plaza Próspero Molina.
The Carabajal family has been present throughout virtually the entire history of Argentine folklore, with Peteco standing out as one of the most prominent artists of this renowned clan.
“Como Pájaros en el Aire” is one of his most popular songs, having been recorded by legendary singers such as Mercedes Sosa, Liliana Herrero, Patricia Sosa, and Jorge Rojas.
Mauricio Birabent, better known as Moris, created a language of his own. He began his career with Los Beatniks, the band that recorded “Rebelde,” the very first single ever released in Argentine rock.
His song “El Oso” is not only a timeless classic of Argentine music, but was also recorded by a dream team of musicians: Pappo on guitar, Claudio Gabis on bass, and Javier Martínez on drums. A widely known version appears in the film “Tango Feroz,” where it is performed by Antonio Birabent, Moris’s son.
The album “Treinta Minutos de Vida,” which Moris released as a solo artist in 1970, features another one of his masterpieces: “Ayer Nomás.”
Both songs are now part of the O.M.S.A/E.C.S By Fermata Do Brasil catalog.
Los Van Van were one of the most internationally renowned Cuban orchestras in history, and at O.M.S.A/E.C.S we are honored to have their musical mastermind, Juan Formell, as part of our catalog.
Classics like “Chirrín Chirrán” and “Somos los Van Van” are clear examples of the brilliance of this exceptional composer, who is also credited as the first to incorporate electronic elements into Cuban popular music.
Throughout his extensive career, Juan Formell received numerous awards, including the Special Latin Grammy Award in 2013.
She is a singer and songwriter in the urban pop genre. Born on April 3, 2000, in Misiones, Argentina, she began her journey as a music content creator on social media, sharing covers of popular artists.
In 2018, she recorded her first original songs, pursuing a future in the music world she loves so deeply. Lara says: “Those were tough years because I didn’t feel confident enough to show what I was creating.”
After several ups and downs, she managed to record her first single “Ando Sola” in 2020, which she released in 2021 along with a music video. That same year, as her confidence grew, she composed, recorded, and released two more tracks: “Ven y Ama” and “Confundida.”
By mid-2023, Lara embarked on a new spiritual path that led her to reinterpret her life and music — a transformation reflected in her recent E.P., which features songs like “Dios de mi lao,” “A su nombre,” and “Estás aquí.”
Born in 1972 in Buenos Aires (Argentina), he began his artistic career at the early age of 14 when he composed the theme song of a local TV program “Pasado y presente de nuestra gente” (Past and Present of our People).
His musical studies began with Piano and Organ at the Fracassi Conservatory, and his career led him in addition to being a Singer and Composer to also add the facet of Producer, Recording Engineer and Professional Sound Operator.
Over the years he has toured through Argentina, Uruguay, Paraguay and Bolivia, as well as Canada and Switzerland. And since 2017 he has taken his music as a support of great shows, including Joaquín Sabina, Sergio Dalma and Roberto Carlos.
As a musician, he also participated in the shows of different artists such as Javier Calamaro, La Mississippi, Alejandro Lerner, León Gieco and many more.
During the 2023 Tour of Joaquín Sabina at the Movistar Arena in Buenos Aires he will be the Support Band, with a series of songs of his authorship and the OMSA catalog. The dates to schedule it: March 12, 15, 21, 23, 25 and 27, 2023.
A modern band and difficult to fit into a predetermined musical niche, although when listening it quickly refers to the classic Latin American Rock. It contains fusions of Latin rhythms, mixed with rock, funk and some pop even make the musical journey through the album seem like a walk through the most significant regions of South America.
The band was born in 2011 in Paraguay, quickly became a revelation artist and acquired national and international projection. They have 3 studio albums (La fiesta del caos (2012), El ritmo subtropical (2014) and Sonidos siderales (2017)) and 3 live albums.
Among their best attributes are their live performances, they have great power on stage and have performed with great artists such as Calle 13, Illya Kuryaki & The Valderramas, Los Auténticos Decadentes, and more.
Several of his songs are already part of Netflix and Prime Video productions, such as Sonidos Siderales and Vibración.
Julián Fiorino began his Guitar studies by the end of 2007, with his father Raúl (Guitarist and Licentiate in Music) and Agustín Zannoli (Guitar Student at the IUNA) with whom he studied until 2013, not only about the instrument but also about musical language and harmony, among others topics.
Between 2010 – 2011 he studied guitar with Román Lacrouts (Graduated in folklore guitar from the “Conservatory Superior de Música Manuel de Falla”). Since 2010, in parallel, he further studies with Néstor Crespo (Guitarist and Compositor).
In 2015 he graduated with the title of “Technician in Music. Specialty: Guitar ” at the “Superior Conservatory of Music Manuel de Falla“.
Currently, he is finishing the Superior Professorate in that institution, with teachers of great level as Máximo Diego Pujol (Guitar and Composition), Guillo Espel (Orchestration and Composition), Gabriel Adamo (Classical Guitar and Composition).
He composed works for cinema and publicity such as: “Tres momentos del día”, “Preludio para piano”, “Suite del viaje”, “Voces detrás de la pared”.
Nicolás Falcoff, is an Argentine musician, writer and producer born in 1977 in Buenos Aires City, and currently living in Traslasierras’ Valley, Córdoba, Argentina.
His compositions are inspired by the Latin American and River Plate Folkloric Music (Zamba, Chacarera, Murga, Cumbia, Milonga, Candombe) in conjunction with Acoustic Rock, and lyrics deeply committed with the caring of environment, human resources, and Mother Earth.
The snail figure is what inspired him while developing a proyect that now comprises four recorded LPs: La insurgencia del caracol (The Snail’s Insurgence) (2009), Guardianes de la semilla (Guardians of the Seeds) (2012), Germina (Sprout) (2015) and Restos del diluvio (Remains of the Flood) (2019).
The last album contains 10 works, among which is worth noting “Para aquel que nazca en esta tierra” (To those who are born in this Land) which was recorded with the Colombian singer Marta Gomez.
As a writer, he had composed works for theater, cinema and documentaries, among which there are two Tangos composed with his father Federico Falcoff that were part of the Film “El último Beso” (The Last Kiss), released worldwide.
As a performer Nicolas Falcoff has been on tours through different stages in Argentine, although his music is also listened in Colombia, México and even Japan.
As a producer, he has worked with different Latin-American’s artist, with his own Record Sura. One of the most important ones is “Eva Aylloon Canta a Chabuca Granda” that received a Latin Grammy’s nomination as “Best Folkloric Album 2009”.
This Paraguayan duo, formed by Jennifer Hicks and Miguel Narváez, combines Latin American folklore with international rhythms such as Jazz, Blues and Soul.
The name also links these aspects: Purahéi means singing in Guarani and Soul refers to African-American sounds and the word Alma in English.
In 2018 they presented their album Swing Guaraní, which contains songs in Spanish, English and Guaraní. The album has been a great success that took them on tour through 19 cities in Paraguay, and then through Latin America and Europe.
